The same composition we bring to a wedding, applied to the moments a brand or a private office wants to remember. Treated with the discretion of a private commission.
Most agencies treat a corporate event as a budget to deploy. We treat it as a narrative to compose. Before a single supplier is briefed, the Regalia Vows team sits with the principal — chairman, CMO, founder, family-office head — and listens for what this evening needs to do for the business or the household. Only once that single thread is found do we open the venue file. The result is an evening that closes with handshakes, not press releases — and a guest list that asks, quietly, who composed it.
Four hallmarks that separate a Regalia Vows commission in this sector from the agency template.
Most of our corporate commissions are never published. We sign before we brief and we run a private vendor list.
Royal-protocol-trained ushers, a managed press pen and a stage manager who has worked Davos, Cannes and the Élysée.
Every commission is owned by a Regalia Vows director from the first call through the post-event report. No account-coordinator handoffs.
Creative, production, talent and F&B sit on one team — so what is promised in the deck is what walks onto the stage.
A private meeting at the studio or your office. We listen, ask the awkward question, and confirm the brief is one we should accept.
Within ten working days, a bound document: narrative, scenography references, run-of-show, talent shortlist and a fully-costed budget.
Six to twelve weeks of build — venue, set, AV, talent, F&B, press — managed by one senior producer with weekly principal check-ins.
Two directors and a tested ground crew on site from rigging through wrap. A written post-event report follows within seven days.
Every commission is custom-scoped — these are the foundations every client receives.
On request